This also reminded me that I’d also seen his name on early Lucasfilm Game products — he was the one who had to bowdlerize the NES port of Maniac Mansion for the NES! Go read his Expurgation of Maniac Mansionpost, it’s worth it if you’re a fan of that era of adventure game.
Been having fun playing with Google Map’s Quest feature, creating some lo-fi Austin scenes. I’m sorry to say that this is likely a Google April Fools’ joke, as I kind of like poking around places as though they were background scenes from a forgotten third-tier Sierra adventure. I’ve posted a handful of Austin 8Bit pics on Flickr — what other locations would be good choices?
We prove NP-hardness results for five of Nintendo’s largest video game franchises: Mario, Donkey Kong, Legend of Zelda, Metroid, and Pokemon. Our results apply to Super Mario Bros. 1, 3, Lost Levels, and Super Mario World; Donkey Kong Country 1-3; all Legend of Zelda games except Zelda II: The Adventure of Link; all Metroid games; and all Pokemon role-playing games. For Mario and Donkey Kong, we show NP-completeness. In addition, we observe that several games in the Zelda series are PSPACE-complete.
Translation: video games might provide interesting fodder for complexity theory, and possibly provide a model for novel ways of looking at difficult decision problems. In any case, I just like seeing Metroid mentioned on the arXiv.
Archeology Magazine has a feature story about the “digital archeologists” behind Visual6502, the group “excavating” and fully remapping the inner workings of the classic 8-bit MOS Technology 6502 microprocessor. That might not sound interesting, but if you’ve been alive for more than 20 years you know the chip: it was the heart of early home computers ranging from the Apple I and Apple ][ to the Atari game consoles all the way up to the Nintendo NES.
Very cool and all, but in case you’re still not interested, here’s some excellent trivia slipped into the article:
In the 1984 film The Terminator, scenes shown from the perspective of the title character, played by Arnold Schwarzenegger, include 6502 programming code on the left side of the screen.
Whaaat!? The SFX team working on The Terminator went so far as to copy actual assembly code into their shots? That’s pretty awesome! So where’d they get it? It was copied from Apple II code published in Nibble Magazine (even the T-800 enjoys emulators when its not busy hunting down humanity, I guess).
I wanted something nice to have at the office that tell us every time someone make a purchase on our game. Every time we make a buck Wario rings the bell and flash his greedy green eyes. If we made a lot then Wario shoot smoke from his ears!
Mechanical engineering student Terry Garret plays through a few levels of Bit.Trip.Runner, one of my favorite games of the past year. It’s a very challenging game, with simple actions but difficult timings that are set to fun 8-music and sound effects.
Nobuyoshi Sano (composer on the arcade series Ridge Racer and Tekken) and Yasunori Mitsuda (who worked on Secret of Mana and composed the music for Chrono Trigger, along with a number of other Square games) have started a new studio called Detune to continue their work on bringing synthesizer emulators to the Nintendo DS. Here Sano demos their upcoming KORG M01 release, which replicates the late 1980’s sounds of the KORG M1.
BIT.TRIP.RUNNER, one of the best games I’ve played this summer. A hypnotically synaesthetic music platformer, something like an inspired cross between Vib-Ribbon and Michel Gondry’s Star Guitar video. Well worth the few bucks if you’ve got a Wii.
(Seen above is a run of level 1-11 by YouTube user NintenDaan1, the level that I’m currently stuck playing over and over again trying to get all of the bonus gold…)
MyDsReader, Nintendo DS text-to-speech document reading software for the visually impaired. It’s using the Flite synthesis engine designed for embedded devices, implements gesture controls for ease of use and even throws in an integrated email and to-do client. Excellent use of homebrew development.
NewForestar’s NESynth, bringing 8-bit style waveforms to an iPhone app. It supports P2P collaboration with other iPhones, but it if it had a full tracker built into it it’d be killer. The accelerometer-tilt pitch-bending and “Famicom controller mode” are neat additions.
Kraftwerk’s “Pocket Calculator” faithfully played on the Nintendo DSi. There’s a new version of the KORG DS-10 software coming out in September (in Japan, anyhow – here’s hoping that it comes stateside), which will be a must-buy.