Notes

Links and write-ups about beautiful things from around the web!

  • Chibi: The Japanese Word That’s Cute And Offensive

    Chibi has its roots in kobun, or classical Japanese. The kobun noun tsubi 粒つび, which means “tiny, rounded thing,” eventually evolved into the verb tsubu 禿つぶ, which describes something becoming worn down or sharp edges getting rounded out.

    A good example would be a calligraphy brush losing its hairs (because that’s what they used to write back in the days of classical Japanese).

    The reading of tsubu eventually changed to chibiru 禿ちびる, and suddenly we’re not too far from chibi.

    I had a brief curiosity about what chibi fully means and came across what may be my new favorite post on etymology. Thorough history, examples, usage issue notes and cautions, and even a drawing guide. More word explications should come with an adorable drawing guide.

  • Douglas Crockford Atari Burgers and Maniac Mansion

    I recently went on a dig through the Archive.org Atari 8-bit Manuals archive, clicked on a fairly random manual for a not-exactly-popular shoot-em-up (Burgers!), and was surprised to find that the game was written by Douglas Crockford, well-known JavaScript developer and creator of the JSON data format standard.

    This also reminded me that I’d also seen his name on early Lucasfilm Game products — he was the one who had to bowdlerize the NES port of Maniac Mansion for the NES! Go read his Expurgation of Maniac Mansion post, it’s worth it if you’re a fan of that era of adventure game.

    Anyhow, I kind of envy his career path.

  • They Live and the secret history of the Mozilla logo

    From JWZ, co-creator of Mosaic and Netscape, the history of an iconic early logo design on the WWW, which was way more directly connected with Shepard Fairey than I had thought.

    So that was the time that I somehow convinced a multi-billion dollar corporation to give away the source code to their flagship product and re-brand it using propaganda art by the world’s most notorious graffiti artist.

    Side note: it’s a good time to rewatch They Live.

  • Methods for Controlling Spacing in Web Typography | CSS-Tricks

    A decent roundup of ways that you can fine-tune your word/character-level typography on the web — I don’t 100% agree with all of his suggested specific fixes, but knowing how one can make these adjustments in the first place is the important part. I might also add mention of the CSS overflow-wrap: break-word rule which has come up twice as something I needed in the last couple of projects I worked on (okay, that’s not really a spacing technique so much as a fix for overly-long words, but thought it worth mentioning alongside font tweaks)

  • How I Came to Love the En Space

    Not only is every letter an object, but every space between every letter is also an object. Every space between words, every space between lines—every bit of white space is an object. When typesetting, a printer has to think about negative space as something tangible.

    A nice essay from The Atlantic on the development of the humble metal (or wood) block known as the en, the invisible assistant of legibility in classic printed text.

  • He Wanted People to Read Novels As Carefully As

    He wanted people to read novels as carefully, as ardently and as sleeplessly as they would read dirty letters sent from abroad. It was one of modernism’s great insights. James Joyce treated readers as if they were lovers. From Kevin Birmingham’s new historical account of the publication of Ulysses, The Most Dangerous Book, which was reviewed very favorably in today’s NY Times.
  • Dennis Hopper Russian Dynamite Death Chair

    [Video no longer available]

    In 1983, immediately after screening his new film Out of the Blue at Rice University, Dennis Hopper invited the attendees out to a racetrack outside city limits by way of school bus where they could watch the actor sit in a chair ringed by dynamite and witness him explode — or hopefully not, if the trick he called the “Russian Dynamite Death Chair Act” is pulled off successfully…

    In attendance for the explosive, not-entirely-sober stunt: Wim Wenders (presumably in the vicinity while filming Paris, Texas?), Terry Southern (screenwriter: Dr. Strangelove, Casino Royale, Easy Rider), and a 22-year-old Sam Houston State student named Richard Linklater (!).

    Dangerous Minds has the full story.

    (hat tip to Caitlin Moore and John-Mike who heard the episode firsthand from Mr. Linklater at a recent Austin Film Society event)

  • The Only Unit of Time That Matters Is Heartbeats

    The only unit of time that matters is heartbeats. Paul Ford, in an excellent keynote speech given to the graduating MFA students at the School for the Visual Arts, on our slippery understanding of time and how we make use of the seasons (days, hours, heartbeats, nanoseconds) allotted to us and the users of our work as designers.
  • On the Clash, Winchell’s Donuts, and 1980s Austin

    My mind was somewhat blown when I discovered that the Clash filmed the video for Rock the Casbah here in Austin, TX back in 1981 (go watch it, it’s on YouTube). It became a trivia game amongst my office of long-time Austinites to try to identify all of the various shots in the video, most of which are at businesses and hangouts long gone (you’ll see the original Posse at 24th & Guadalupe, the Alamo Hotel, the Burger King on the Drag, the gas station across from Oat Willie’s on 29th, the old City Coliseum music venue, etc.).

    Before I go into the long Austin-nerd story below, I learned a couple of other amazing things about this video via this great read:

    • The director of photography was Barry Sonnenfeld, who would later go on to film Raising Arizona, When Harry Met Sally, and direct the Men in Black trilogy and The Addams Family.
    • The “Sheik” and the “Orthodox Jew” characters were played by amateur actors. The two of them hung out with Barry Sonnenfeld that night at the Liberty Lunch, and met a couple of young dudes in town scouting for a location for their first feature film: Ethan and Joel Coen!

    Now onto the deeper trivia investigation…

    One long-standing mystery was the quick shot of the armadillo traipsing in front of a Winchell’s Donuts (a chain that hasn’t been seen here in decades). I came back to this recently and asked for help from Twitter and Facebook friends, and the best clue came from this excellent post from Troy Dillinger about the early days of MTV-era punk rock, Joe Ely, and the Clash. That post cites the location as S. Congress & Oltorf, so I jumped over to Google Street View to confirm, and lo and behold I think I’ve found the shot, documented with the photo below.

    But then controversy: multiple people wrote to me to say “no no, it was South Lamar and Barton Skyway!” or “I remember going to that place, it was on Duval near UT, close to the Posse East”. This kind of gnawing uncertainty has a way of festering in my trivia-addled mind, so I needed to confirm for sure. Also, my officemates were now even more perplexed.

    image

    I work across the street from the Briscoe Center for American History, which conveniently has phone books for many Texas cities dating back to the early 1900s. Disguised as a researcher, I had them pull the Austin phone books for 1979–1983, and I looked up Winchell’s Donuts. Only three locations were listed, none on South Congress or Lamar or even the implausible Duval. What the heck, yo.

    Thankfully, my boss earlier pointed out the red DRUGS sign on the building in the background (early subliminal messaging in a music video?? ;). We couldn’t read the blurry hexagonal sign just behind the Winchell’s, but this drugstore sign was a great clue. The 1980s phone books listed a Revco Drugs at 2301 S. Congress, exactly the address where I took this Street View shot. The logo looks right, if you can imagine what the 1980s stylized version would be, with the outsized script R. Also, Revco was purchased in the late 1990s by CVS, which exists at that location today, and to my eyes it looks like they just swapped logos on the hexagonal sign.

    Further evidence: another shot in the Clash video was filmed outside a Victorian-style house, which is now a Wells Fargo bank right across the street from this Congress & Oltorf location.

    QED.

    Hat tip to one Daniel Lugo for pointing out the identical 3 poles and fire hydrant, and to everyone else who wrote to share links or other anecdotes about 1980s Austin!

    UPDATE October, 2015:

    I’ve heard from a number of nice people with personal connections to this location and even with this video shoot, but a reader just now pointed out that I got so caught up on the Revco detail that I neglected to mention where the stupid Winchell’s Donuts was exactly!

    That reader speculates that the location is where the Subway currently is (2315 S Congress Ave), and I believe that’s true. The double-poled Subway sign is likely yet another clue / confirmation. Unless you know otherwise!

  • Today I Walked Around Near the Alamo Where on

    Today, I walked around near the Alamo, where on March 6, 1836, Santa Anna’s soldiers, who greatly outnumbered the Texans behind the compound’s walls, killed or captured all those inside. Several days later, in April, the Battle of San Jacinto would swing the pendulum the other way: The Mexican army would be smashed, General Santa Anna would be captured and Texas would be born. Approximately 151 years later, The Butthole Surfers would release their Locust Abortion Technician album, giving people all over the world another reason to like Texas. Henry Rollins, in the LA Weekly musing on Texas history and our state’s sometimes perplexing place within American culture during a stay in San Antonio.