Links and write-ups about beautiful things from around the web!
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Bell Labs Dial with Music DTMF
From a 1950 issue of Popular Science, an ad featuring Bell Lab’s early multi-frequency signaling keyboard for connecting long distance phone calls, in the era just before DTMF dialtones were introduced to America’s households.
(Via the always-interesting History of Phone Phreaking blog, which links to a couple of other good vintage Bell Labs ads)
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Sanford & Sons and Jelly Belly
Back of the Cereal Box noticed the jarring disambiguation message on the Wikipedia entry for Jelly Belly, and wrote:
Why is it so much better that the name Jelly Belly can refer to either the brand of fancy jellybeans or the horrific disease pseudomyxoma peritonea, in which a tumor causes excess mucus production that swells the abdomen and compresses and endangers the various torso vital structures?
David Klein, the creator of the Jelly Belly (the candy, not the stomach cancer…), responded to the above post with the trivia that the bean’s name was inspired by the name of blues musician Lead Belly, which he’d heard on an episode of Sanford & Son. I’ll go one step further down the trivia chain: I assume he’s referring to the episode “The Blind Mellow Jelly Collection” (YouTube straight to the clip)!
This almost seems poetic: Klein named his candy business after watching a TV episode about a man unwittingly selling his valuable record collection, and later he himself met a similar fate, forced to sell his rights to Jelly Belly early on, for a significantly low value.
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Ward Kimball Mobil Ads
Legendary Disney animator Ward Kimball also drew on the side for antique-auto-enthusiast magazine the Horseless Carriage Gazette (and he contributed a lot over nearly 30 years: his name comes up frequently if you search for him in this index of the magazine). He also worked on custom ads for Mobil that ran in the Gazette, like the nice tattooed guy above, or this fun one with the Mobil Pegasus.
According to an interview cited by Cartoon Brew, an angry Walt Disney made Kimball stop contributing to the magazine, even though it was on his own time and for gratis. Thankfully these scans are cropping up on the Ward Kimball Facebook page, along with lots of other great stuff!
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Attentrons
I need to bring this theory up the next time I’m asked to create another link farm or overly-featured application. Neil Hunt, Chief Product Officer of Netflix, responds to a question on Quora about A/B testing and usability (in the comments):
“Simple trumps complete” – a 5% feature (used by less than 5% of all users) is a distraction for all the other users, and is better removed, unless its really critical (a small number of users do need to cancel service, for example).
I have this mental model of particles of attention that a user brings, a finite quantity that they will spread around according to what catches their attention. I call them “attentrons”. An extra tab or button will attract a bunch of attentrons that are not then available to focus on other areas. So the tab had better be *better* than the competing areas of the site to avoid diluting the results, or it’s better off removed.
(Via Jared Spool’s excellent User Interface Engineering blog)
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Making of Pharcyde Drop
The behind-the-scenes of one of my favorite Spike Jonze music videos, Pharcyde’s Drop (original video). The group had to learn to rap backwards to create the right lipsync for the effect, so Jonze hired a professional linguist to help transcribe the reversed audio track!
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Tom Lehrer Ronald Searle
Awesome thing that I didn’t realize I had on my bookshelf: the Tom Lehrer sheet music songbook I’ve had since I was a kid was illustrated by cartoonist Ronald Searle. I must have been unfamiliar with Searle the last time I looked through this book — his scratchy style complements Lehrer’s acerbic wit nicely.
The whole book, “Too Many Songs By Tom Lehrer with not enough drawings by Ronald Searle”, is available for perusal on Scribd, in case you’re the sort that enjoys songs about masochism, the periodic table, bull fighting, nuclear annihilation, and Ivy League snobbery…
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The Very Heart of Noise
I frequently hear music in the very heart of the noise… George Gershwin on Rhapsody in Blue’s inspiration, the rhythm of the city train.
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Genius Childhood Recaptured at Will
But genius is nothing more nor less than childhood recaptured at will.
Charles Baudelaire, from The Painter of Modern Life. I often see this quoted by itself, so here’s some context:
But genius is no more than childhood recaptured at will, childhood equipped now with man’s physical means to express itself, and with the analytical mind that enables it to bring order into the sum of experience, involuntarily amassed. To this deep and joyful curiosity must be attributed that stare, animal-like in its ecstasy, which all children have when confronted with something new, whatever it may be, face or landscape, light, gilding, colours, watered silk, enchantment of beauty, enhanced by the arts of dress. A friend of mine was telling me one day how, as a small boy, he used to be present when his father was dressing, and how he had always been filled with astonishment, mixed with delight, as he looked at the arm muscle, the colour tones of the skin tinged with rose and yellow, and the bluish network of the veins. The picture of the external world was already beginning to fill him with respect, and to take possession of his brain. Already the shape of things obsessed and possessed him. A precocious fate was showing the tip of its nose. His damnation was settled.
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Bute Tarentella
[Video no longer available]
Experimental animation pioneer Mary Ellen Bute’s short film Tarentella was selected this week for preservation in the National Film Registry as a culturally significant film. From the press release:
“Tarantella” is a five-minute color, avant-garde short film created by Mary Ellen Bute, a pioneer of visual music and electronic art in experimental cinema. With piano accompaniment by Edwin Gershefsky, “Tarantella” features rich reds and blues that Bute uses to signify a lighter mood, while her syncopated spirals, shards, lines and squiggles dance exuberantly to Gershefsky’s modern beat. Bute produced more than a dozen short films between the 1930s and the 1950s and once described herself as a “designer of kinetic abstractions” who sought to “bring to the eyes a combination of visual forms unfolding with the … rhythmic cadences of music.” Bute’s work influenced many other filmmakers working with abstract animation during the ‘30s and ‘40s, and with experimental electronic imagery in the ‘50s.
Bute’s final piece was an interpretation of Finnegans Wake, one of the very few attempts ever made at staging Joyce’s novel of troubled dreams.
