Links and write-ups about beautiful things from around the web!
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Queequegs Tattoos
This tattooing had been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but whose mysteries not even himself could read, though his own live heart beat against them; and these mysteries were therefore destined in the end to moulder away with the living parchment whereon they were inscribed, and so be unsolved to the last.
The description of Queequeg’s tattoos quoted on the blog The Loom, the author of which has a new book out about science-inspired tattoos. It hadn’t occurred to me when reading Moby-Dick, but European sailors had only been decorating themselves with tattoos for some 80 years by the time the book came out — the first example of the word used in English was recorded in Captain Cook’s naturalist’s journals in 1769.
(Here’s the original passage from Moby-Dick)
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Ice Cube on Having a Plan
What I learned from architectural drafting is that everything has to have a plan to work. You just can’t wing it. I can’t get all the materials I need for a house and just start building.
Whether it’s a career, family, life — you have to plan it out.
Ice Cube, rapper and former architectural draftsman (“You don’t want to live in nothing I draw”), shares some advice in a NY Times Q&A as a followup to his recent Eames House appreciation video. -
Banaphone Invoked Computing
Banana Phone And Pizza Box Laptop PC – Invoked Computing For Ubiquitous AR
Usually “augmented reality” involves using a camera device to view an overlay of information or digital control on top of a video screen of some kind (say an iPhone or webcam/desktop), but this is kind of the opposite: having a camera+projector system that can map your intents onto everyday objects around the house for “invoked computing”.
Mostly I share this because I like this bananaphone demo:
There is a banana scenario where the person takes a banana out of a fruit bowl and brings it closer to his ear. A high speed camera tracks the banana; a parametric speaker array directs the sound in a narrow beam. The person talks into the banana as if it were a conventional phone.
(Via PhysOrg via ACM TechNews)
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Total Recall Commentary Track
I’ve been telling people for years that the Total Recall DVD commentary track is one of the most entertaining bits of meta-entertainment out there, with Paul Verhoeven waxing nostalgic about his directorial artistry while Arnold chuckles through literal recaps of his favorite violent scenes. Now you can enjoy Arnold’s rambling half of the conversation, condensed into a tidy YouTube package!
See also: Arnold Schwarzenegger and John Milius on Conan The Barbarian, a similar collection edited down from that movie’s commentary track, another true gem.
(Via Kottke)
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Yves Saint Laurent and Arthur Rimbaud
Every man needs aesthetic ghosts in order to live. I have pursued them, sought them, hunted them down. I have experienced many forms of anxiety, many forms of hell. I have known fear and terrible solitude, the false friendship of tranquilizers and drugs, the prison of depression and mental homes. I emerged from all that one day, dazzled but sober. … I did not choose this fatal lineage, yet it is what allowed me to rise up in the heaven of artistic creation, frequent what Rimbaud called “the makers of fire,” find myself, and understand that the most important encounter in life is the encounter with one’s self.
From the farewell speech of fashion designer Yves Saint Laurent, translated and presented as the opening monologue of the recent biopic L’amour fou.
Based on what I know of Saint Laurent from only having watched this film, a comparison to Arthur Rimbaud would be apt, perhaps drawn out over a far longer stretch of life: instead of abandoning his craft at 21 and fleeing to north Africa to become a merchant, YSL simply bought a house there, kept cranking out his culture-shifting art for the next few decades, survived the alcohol and drugs that came along with the celebrity, and slowly amassed a treasure trove of art and sculpture that sold recently for close to $500M. And yet he struggled with depression and unhappiness for all but “two moments a year”, his entire life. The NY Times review of L’amour Fou has down the sense of nihilism you get from the film’s protagonists’ lives:
To be surrounded by the most concentrated beauty the world has to offer and yet be chronically depressed is to confront the sad reality that material bounty may bring fleeting pleasure but nothing resembling peace of mind. To realize that you may have the world while still feeling as if you have nothing is to experience a closer encounter with the void than most of us are likely to have.
Other recent fashion documentaries worth watching, even if you’re like me and not really well-versed (or especially interested) in fashion:
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Zippy Meets Family Circus
Life is a circus, Zippy! It can be a circus of pain or a circus of delight!
As the Bil Keane RIP notices started flooding across the net yesterday, my friend Julien reminded me of the bizarre phenomenon of Zippy the Pinhead making a crossover appearance in Family Circus back in 1994 (go look at it, it’s weird!). It wasn’t a single-panel affair: that out-of-context Family Circus strip was a followup to a week in which Bil Keane literally drew his characters into the surreal world of Zippy as a sort of exchange project. From a speech by Zippy artist Bill Griffith:
Here’s an example of something that kind of blew my mind, and a number of readers. I did a number of comic strips in 1994 in which the idea was that Zippy and Griffy were going to, at least Zippy, enter, literally, the world of The Family Circus, a single panel comic. Into the strip a few days I thought, “What the hell, I’ll call Bill Keene. I’ll get his phone number, and I’ll see if he wants to literally jam this strip with me.” I figured the chances were zero, but why not? I called him up; he was incredibly friendly. He lives in Phoenix, where Zippy is published in the local paper. Loves the strip; reads it every day. Y’know, at the end of the phone call I thought, “He’s my blood brother. We’re like the two surreal comic strip artists.”
Behind the sticky-sweet facade of everyone’s favorite round newspaper comic, it’s good to know there was an artist of subversive humor and warmth for his fellow cartoonists, appreciative of both parody and collaboration.
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History of the Typewriter Michael Winslow
History of the Typewriter Recited by Michael Winslow. Definitely one of the more unexpected videos that I’ve seen bouncing around the web lately. A type history tour de force by everyone’s favorite human sound machine!
(Via Kottke)
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Earliest Web Browsers
Ars Technica has up a history article on the early web browsers, a rare glimpse into the largely-forgotten software that beat NCSA Mosaic to the punch but didn’t quite make it into pop culture consciousness (seen above is ViolaWWW, notable for early stabs at browsing history, bookmarks, styles, and even embedded scripting — probably also the first web browser I remember using on my Slackware copy of X Windows circa 1994! </old>).
For all of the developments in web technology since 1991, it’s remarkable to see how many UI features and browsing concepts emerged almost immediately and are still with us today.
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Fun with Kerning
Fun with kerning! I don’t 100% agree with all of their solutions (they do let you share your version in protest, at least!), but it’s a entertaining five-minute distraction if you’re a designer or type-friend, and the interface is slick.
(Via pretty much every design blog and Twitter user this week…)