Wild! Breaking has been added as a new official event for the 2024 Olympic Games. Seems like it’s a few decades late, but I actually look forward to seeing this. Hopefully there some good breakbeats to accompany the performing.
Tag: hiphop
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Breaking at the Olympics 2024 in Paris
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Ad Rock Sneaks in “Cookie Puss” on Nickelodeon
[Alas, video has been removed from YouTube]
DJ Jazzy Jay and Afrika Bambaataa on a 1984 episode of Nickelodeon’s Live Wire, showing kids how to scratch. Awesome enough as it is, but WAIT A MINUTE — is that a 17-year-old Ad-Rock in the audience sneaking in a plug for Cookie Puss at 4:18??!
(Via Dangerous Minds and They Might Be Giants)
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Onion AV Club: “Electric like Dick Hyman”: 170 Beastie Boys references explained
This list has been making the rounds for a couple of weeks now, but I’m just getting to it. Pretty thorough, but Marsha was sad to see no mention of the Frugal Gourmet! If you need more ‘splainin’ about their allusive lyrics or samples, you might try the even more comprehensive BeastieMania Song Spotlight, which ought to keep you busy for a long, long while.
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Making of Pharcyde Drop
The behind-the-scenes of one of my favorite Spike Jonze music videos, Pharcyde’s Drop (original video). The group had to learn to rap backwards to create the right lipsync for the effect, so Jonze hired a professional linguist to help transcribe the reversed audio track!
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The Metrics of Rap
Language Log drops the science on the metrics of rap and hiphop, as part of a larger article on Yale University’s recently-published, transcription-error-prone The Anthology of Rap. The above image illustrates the meter of Grandmaster Flash and the Furious Five’s SuperRappin’.
As always in such cases, there’s an interesting question whether this should be thought of as a superficial deviation from an underlyingly square rhythm, or rather as a different draw from a set of available polyrhythmic patterns. For some more discussion, see e.g. “Rock syncopation: Stress shifts or polyrhythms?”, 11/26/2007. Note in any case that the mixture of four-beat and three-beat (lyric) lines evokes the traditional English ballad meter, whatever we’re to make of the variations in alignment.
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N.W.A. Posse Cover
Whatever Happened to N.W.A.’s Posse? LA Weekly tracks down all of the guys featured on the cover of N.W.A.’s lesser known first album, perhaps the first photo of gangsta rap. A handful of them were only there to give rides to their friends. For the others, though, this album launched careers that would redefine the 1990’s music landscape (see if you can spot Dr. Dre, Ice Cube, Eazy-E, MC Ren…). Here’s one incredible bit of trivia:
When N.W.A signed with Priority, the group was only the label’s second signed act. The other was the California Raisins. That’s right: The first noncompilation album released by Priority was The California Raisins Sing the Hit Songs. The second was Straight Outta Compton.
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Walkthrough
“SOUTH”
“EAST”
“OPEN WINDOW”
“ENTER HOUSE”
“WEST”
“GET THE LAMP”
“MOVE THE RUG”
“OPEN THE TRAP DOOR”“LIGHT LAMP”,“D”,“S”,“E”, “GET THE PAINTING”, “N”, “U”, “U”, “GET KNIFE AND ROPE”, “D”, “W”, “OPEN CASE”, “PUT PAINTING IN CASE”, “DROP KNIFE”, “GET SWORD”, “OPEN TRAP DOOR”, “D”, “N”, “KILL TROLL WITH SWORD”, “DROP SWORD”, “E”, “E”, “SE”, “E”, “TIE ROPE TO RAILING”, “CLIMB DOWN ROPE”, “S”, “E”, “GET COFFIN”, “W”, “S”, “PRAY”, “DOUSE LAMP”, “S”, “N”, “E”, “D” TO THE CANYON BOTTOM, “N”, “DROP COFFIN”, “OPEN COFFIN”, “GET SCEPTRE”, “WAVE SCEPTRE”, “LOOK”, “GET GOLD AND COFFIN”, “SW”, “U” TO CANYON VIEW, “NW”, “W”, “ENTER HOUSE AND OPEN BAG” “GET GARLIC”, “W”, “PUT COFFIN, SCEPTRE, AND GOLD IN CASE” “OPEN THE TRAP DOOR”, “AND LIGHT THE LAMP”.
From Walkthrough, the 2nd greatest Zork-based rap song of the past couple of years (Frontalot’s It Is Pitch Dark is still pretty ultimate). And yes, I’m very much looking forward to the upcoming Get Lamp documentary.
(Via a lot of gaming blogs…)