Adam Norwood

Tag: design

  • Brian Moriarty Listen

    Game designer Brian Moriarty delivered quite a talk at the 1997 Game Developers Conference, touching on everything from interaction design, emergent play, community-created art, creativity, self expression, and even an unexpected but interesting tangent about 101 Dalmatians. In hindsight, many of subjects he talks about would become evident over the next decade, from the Sims to Etsy to Minecraft to social networking. From Listen! The Potential of Shared Hallucinations:

    Before we can learn, before we can grow, we have to be prepared to listen.

    What does it mean, to listen?

    The word is commonly understood to mean “attentive hearing.”

    It has its etymological origin in the archaic verb, list.

    “List!” they used to say. “Ssh! List! The wild boar is outside!”

    But the verb “list” also means to tilt something to one side.

    When a sea vessel leans to starboard or port, it is said to be listing.

    So how did the word “list” turn into the verb “listen?”

    Because when we try to hear something, we sometimes cock our heads in the direction of the sound.

    So to listen means more than to hear attentively.

    The word also implies a change of inclination.

    A new slant.

    To listen is to put ourselves into a receptive attitude.

    A position to be re-aligned.

    Also worth reading (the talk is also available for watching as a video in the GDC Vault) if you fondly remember the days of Hypercard, MUDs, and when text adventures reigned supreme on AOL, or if you like crazy 1990s Photoshop anaglyphs…

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  • Ice Cube on Having a Plan

    What I learned from architectural drafting is that everything has to have a plan to work. You just can’t wing it. I can’t get all the materials I need for a house and just start building.

    Whether it’s a career, family, life — you have to plan it out.

    Ice Cube, rapper and former architectural draftsman (“You don’t want to live in nothing I draw”), shares some advice in a NY Times Q&A as a followup to his recent Eames House appreciation video.
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  • Fun with Kerning

    Fun with kerning! I don’t 100% agree with all of their solutions (they do let you share your version in protest, at least!), but it’s a entertaining five-minute distraction if you’re a designer or type-friend, and the interface is slick.

    (Via pretty much every design blog and Twitter user this week…)

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  • Captain Picards Utah Teacup

    As the Make post says, this 3D-printable model of Captain Picard’s teacup would be a good benchmark for the nascent fabrication technology (the image on the right is a photo of the original Star Trek prop, which was just an off-the-shelf Bodum teacup). That it could be seen as a sly progression from the famous Utah teapot I think makes it an especially worthy benchmark!

    Obligatory: “Tea! Earl Grey. Hot.”

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  • RIP Alex Steinweiss, Creator of Album Covers

    I’ve wondered where the idea of music albums as discrete packaged works of art came from, and now I know. From the New York Times: Alex Steinweiss, Originator of Artistic Album Covers, Dies at 94

    “The way records were sold was ridiculous,” Mr. Steinweiss said in a 1990 interview. “The covers were brown, tan or green paper. They were not attractive, and lacked sales appeal.” Despite concern about the added costs, he was given the approval to come up with original cover designs.

    His first cover, for a collection of Rodgers and Hart songs performed by an orchestra, showed a high-contrast photo of a theater marquee with the title in lights. The new packaging concept was a success: Newsweek reported that sales of Bruno Walter’s recording of Beethoven’s “Eroica” symphony increased ninefold when the album cover was illustrated.

    Mr. Steinweiss also created a distinctive handwriting script that he used on many of his album covers, which came to be known as the Steinweiss Scrawl (recently resurrected as the font Steinweiss Script by designer Michael Doret).

    Mr. Steinweiss said he was destined to be a commercial artist. In high school he marveled at his classmates who “could take a brush, dip it in some paint and make letters,” he recalled. “So I said to myself, if some day I could become a good sign painter, that would be terrific!“

    More good information about his career and innovations (including diagrams of his LP packaging) are available on this page about his work for the Remington record label.

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  • Poka-yoke
    Visit the source: secure.wikimedia.org

    Poka-yoke (ポカヨケ) is a Japanese term that means “fail-safing” or “mistake-proofing”. A poka-yoke is any mechanism in a lean manufacturing process that helps an equipment operator avoid (yokeru) mistakes (poka). Its purpose is to eliminate product defects by preventing, correcting, or drawing attention to human errors as they occur.

    Not just handy for manufacturing processes, this idea applies very easily to any kind of designed object. How can we make what we design not only easy to use, but as difficult as possible to mis-use? (It’s worth noting that this principle was originally described as baka-yoke, i.e. idiot-proof, unfairly placing the blame on the user instead of the design)

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  • Its the Dialogue of the Pieces

    It’s the dialogue of the pieces, not the pieces themselves, that creates aesthetic success. From number 51 in 101 Things I Learned in Architecture School by Matthew Frederick. I heard this quote this past week as part of the “Music of Interaction Design” panel at SxSWi presented by Cennydd Bowles and James Box. Here’s a short PBS NewsHour writeup about the panel with a video interview of the two designers.
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  • Attentrons

    I need to bring this theory up the next time I’m asked to create another link farm or overly-featured application. Neil Hunt, Chief Product Officer of Netflix, responds to a question on Quora about A/B testing and usability (in the comments):

    “Simple trumps complete” – a 5% feature (used by less than 5% of all users) is a distraction for all the other users, and is better removed, unless its really critical (a small number of users do need to cancel service, for example).

    I have this mental model of particles of attention that a user brings, a finite quantity that they will spread around according to what catches their attention. I call them “attentrons”. An extra tab or button will attract a bunch of attentrons that are not then available to focus on other areas. So the tab had better be *better* than the competing areas of the site to avoid diluting the results, or it’s better off removed.

    (Via Jared Spool’s excellent User Interface Engineering blog)

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  • iPad Light Paintings

    This film explores playful uses for the increasingly ubiquitous ‘glowing rectangles’ that inhabit the world.

    We use photographic and animation techniques that were developed to draw moving 3-dimensional typography and objects with an iPad. In dark environments, we play movies on the surface of the iPad that extrude 3-d light forms as they move through the exposure. Multiple exposures with slightly different movies make up the stop-frame animation.

    We’ve collected some of the best images from the project and made a book of them you can buy: http://bit.ly/mfmbook

    Read more at the Dentsu London blog:
    http://www.dentsulondon.com/blog/2010/09/14/light-painting/
    and at the BERG blog:
    http://berglondon.com/blog/2010/09/14/magic-ipad-light-painting/

    From Dentsu London, Making Future Magic:

    We use photographic and animation techniques that were developed to draw moving 3-dimensional typography and objects with an iPad. In dark environments, we play movies on the surface of the iPad that extrude 3-d light forms as they move through the exposure. Multiple exposures with slightly different movies make up the stop-frame animation.

    Take that, Picasso.

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