April 10, 2017 permalink

The Making of Rock and Rule

The Making of Rock & Rule

Hey, it’s Lou Reed, Iggy Pop, Debbie Harry, and Maurice White talking about their roles in the odd, uneven 1983 toon film Rock & Rule. The movie itself is kind of lousy, except that it somehow was starring these folks (and their music), and despite Nelvana turning it into a very off Disney / Goofy-esque rotoscoped nightmare.

Possibly of interest for the above-mentioned musician interviews alone, the documentary also has scenes of how feature animation was made in the early 1980s (traditional hand-drawn cels with multiplane camera photography), and some talk about the synthesizer work of Patricia Cullen (who IMBD tells me recorded synth scores for a number of other 1980s cartoons and TV shows).

(via The Making of Rock and Rule : Nelvana : Free Download & Streaming : Internet Archive)

April 4, 2017 permalink

Ibm Punched Card Typography

Norbert Landsteiner wrote up a post about something that’s retro-technology-typography-nerdy beyond even my usual limits and understanding: a thorough explication and an interactive demo of how the late-1940s IBM 026 key punch (the typewriter keyboard/workstation machine that operators would use to poke the holes in the computer program punchcards of that era) was able to also print tiny human-readable letters and words at the top of the cards for easy reference.

Basically IBM encoded the alphabet and other special characters onto a clever postage stamp-sized print head that would run along the top of the punchcard, with wires to each “dot” enabling the printing of each encoded character in turn, effectively an early dot-matrix printer. (it’s not easy to see, but if you squint at the image you’ll see that the red dots form the “A” character, upside-down — you’ll see it more easily if you play with the demo and choose other characters)

IBM Punched Card Typography.

April 3, 2017 permalink

We will see Landscapes

’We will see… landscapes,’ they announced, ‘in which the trees bow to the whims of the wind, the leaves ripple and glitter in the rays of the sun.’ Along with the familiar photographic leitmotif of the leaves, such kindred subjects as undulating waves, moving clouds, and changing facial expressions ranked high in early prophesies. All of them conveyed the longing for an instrument which would capture the slightest incidents of the world about us.

Film theorist Siegfried Kracauer writing about the dreams of photography pioneers Henry Cook and Gaetano Bonnelli, who in the 1860s invented a device called a photobioscope that combined stereoscope + zoetrope effects to show primitive short “3D” “movie” loops. It’s interesting to think about the decades in which photography was new and exploding in use, but it couldn’t capture the essence of normal day-to-day movement due to the long exposure times. 

We’re still chasing those dreams, 150 years later.

(Via this excellent Bright Wall / Dark Room essay on Totoro)


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