Notes

Links and write-ups about beautiful things from around the web!

  • Robert H Jackson on the 4th Amendment

    These, I protest, are not mere second-class rights, but belong in the catalog of indispensable freedoms. Among deprivations of rights, none is so effective in cowing a population, crushing the spirit of the individual, and putting terror in every heart. Uncontrolled search and seizure is one of the first and most effective weapons in the arsenal of every arbitrary government.

    Justice Robert H. Jackson, chief U.S. prosecutor at the Nuremberg trials, writing on the 4th Amendment in his dissenting opinion of Brinegar v. United States (1949)

    (Via Free to Search and Seize, an op-ed in today’s New York Times on the recent chipping away at privacy protections)

  • Marjane Satrapi on Adapting Comics for Animation

    Animation and comics are false siblings. They resemble one another but they’re two completely different things. The relationship a reader has with a comic is nothing like the one a viewer has with a film. When you read a comic, you’re always active, because you have to imagine all the movements that happen between the frames. In a film, you are passive: all the information is there. And when you make a comic it never happens that you have 500 or 1,000 people reading it in the same place at the same time, all reacting.

    Marjane Satrapi, creator of Persopolis, talks about how she found success in adapting her acclaimed two-part graphic novel into an animated feature.

    Bonus tip: cast Iggy Pop.

    (Via Mayerson on Animation)

  • Maniac Mansion Disassembled

    The Mansion – Technical Aspects

    If you love the old Lucasfilm games and want a peek into how their venerable game engine worked from a very technical perspective, you should read this article that walks through a disassembled Maniac Mansion. Extra bonus: Ron Gilbert, the creator of the SCUMM scripting language, drops a lengthy note in the comments section with insider info:

    One of the goals I had for the SCUMM system was that non-programers could use it. I wanted SCUMM scripts to look more like movies scripts, so the language got a little too wordy. This goal was never really reached, you always needed to be a programmer. 🙁

    Some examples:

    actor sandy walk-to 67,8

    This is the command that walked an actor to a spot.

    actor sandy face-right
    actor sandy do-animation reach
    walk-actor razor to-object microwave-oven
    start-script watch-edna
    stop-script
    stop-script watch-edna
    say-line dave “Don’t be a tuna head.”
    say-line selected-kid “I don’t want to use that right now.”

    I think it’s amazing that they managed to build a script interpreter with preemptive multitasking (game events could happen simultaneously, allowing for multiple ‘actors’ to occupy the same room, the clock in the hallway to function correctly, etc.), clever sprite and scrolling screen management, and fairly non-linear set of puzzles into software originally written for the 8-bit C64 and Apple II era of computers.

    (Via the International House of Mojo)

  • olduse.net Brings Back Usenet from 30 Years Ago

    Screenshot from an interesting project, olduse.net ― Usenet posts reappearing in realtime as they did exactly 30 years ago, a new way of experiencing the history of the early Net. See how things were mere months before the launch of B-News, long before the Great Renaming and the creation of the alt.* hierarchy, and best of all, the introduction of spam is more than a decade away still!

    You can use either the browser-based client to poke through the messages, or point your favorite NNTP client to the site and experience it as you would the real Usenet. Nice!

    Also, I like this answer from the FAQ:

    Can I post to olduse.net?
    Your posts will be accepted, but will not show up for at least 30 years. 🙂

    (Via Waxy Links)

  • Extemeties Skateboard Video

    Music – Blackbird Blackbird “Pure” // http://blackbirdblackbird.bandcamp.com

    Skateboarding – Aryeh Kraus

    Director: Eli Stonberg // http://elistonberg.com
    Executive Producer: Danielle Hinde
    Commissioner: Sara Greene
    Producer: Josh Fruehling
    Director of Photography: Ross Riege
    Camera Operator: Hermes Marco
    Camera Operator: Ariana Natale
    Editor: Eli Stonberg
    Asst Editor: Josh Sasson
    PA: Jackson Hoose

    Produced by Doomsday Entertainment // http://www.doomsdayent.com
    In Association with The Masses // http://www.wearethemasses.com
    Thanks to The Idealists // http://theidealists.com
    Created for Burn // www.burn.com

    Extremities: six GoPro cameras attached to the skateboarder’s arms, legs, head, and one mounted underneath the deck (my favorite), combined with a couple of static cameras for context. Between this and the hula hoop video, these little cameras are cranking out some fascinating new perspectives this week.

  • Onion AV Club: “Electric like Dick Hyman”: 170 Beastie Boys references explained

    This list has been making the rounds for a couple of weeks now, but I’m just getting to it. Pretty thorough, but Marsha was sad to see no mention of the Frugal Gourmet! If you need more ‘splainin’  about their allusive lyrics or samples, you might try the even more comprehensive BeastieMania Song Spotlight, which ought to keep you busy for a long, long while.

  • 26 Terabit-per-second Laser

    Researchers at the Karlsruhe Institute of Technology set a new record by transmitting 26 terabits of a data per second (“the entire Library of Congress in 10 seconds!” as the usual benchmark goes) using a single laser and a clever FFT and frequency comb technique to split the light into 300+ discrete colors:

    The Fourier transform is a well-known mathematical trick that can in essence extract the different colours from an input beam, based solely on the times that the different parts of the beam arrive. The team does this optically – rather than mathematically, which at these data rates would be impossible – by splitting the incoming beam into different paths that arrive at different times, recombining them on a detector. In this way, stringing together all the data in the different colours turns into the simpler problem of organising data that essentially arrive at different times.

    Neat.

    (Via ACM TechNews)

  • We were basically trying to see if we could get each other to drop out of school.

    Mike Monteiro of Mule Design on attending art school:

    But the skill I picked up in school that turned out to be the most valuable was learning how to take a punch. We had these insane critiques where we’d trash each other viciously. We took pride in how brutal we could be to one another. I think it went way beyond constructive. It was an art form in itself. We were basically trying to see if we could get each other to drop out of school. And professors were the worst—we had one guy who’d slash paintings, which is completely devastating, right? I mean you work your ass off on something and your teacher just walks up to it and literally rips it to shreds. It’s kind of magnificent. And afterwards, we’d all go off and drink and have sex with another. But those critiques taught me how to not take criticism personally. It was always about the work. And if the work quality wasn’t there you were marked for demolition.

    Yep, sounds about right. The ability to take (and work from) criticism was one of the few life-skills I directly picked up from my undergraduate art background, too.

    No one ever literally slashed my paintings, but one professor did tell us during a mid-semester critique that he thought the class’s work as a whole was like “a giant ball of shit rolling downhill, getting bigger.” Fun times!

    (Hat tip to Austin Kleon)

  • RIP Macho Man

    RIP Macho Man. Few people exemplified the XTREME!!!! 1990s marketing aesthetic quite so well.

  • Fleischer Popeye 3d Backgrounds

    Dave Fleischer of Fleischer Studios demos the distorted-architecture-on-a-turntable that his studio pioneered for creating compelling 3D backgrounds in their animated shorts. You can see it in motion in a number of their Popeye cartoons (like Popeye Meets Ali Baba and the Forty Thieves) or in their originals like Mr. Bug Goes to Town (PS: check out that awesome title card typography!)

    If you happen to be in L.A. this week, you can catch some classic Fleischer shorts in pristine 35mm prints as part of Jerry Beck’s animation series at the Cinefamily. Do it!

    (Via Cartoon Brew)