Adam Norwood

Tag: baudelaire

  • Victor Hugo: Symbolist Painter
    Visit the source: www.wikiart.org

    "Calling Card" by Victor Hugo; a painterly wash of texture and color with elaborate antique lettering hand painted on top that appears to spell "V I C T O R O G U H" (Victor but then Hugo backwards).

    I’ve never read any of his novels (I know I should!), but I only recently learned that Victor Hugo was also an artist and painter. I can only find a couple dozen low-res images online, but the impression I get is that he was ahead of the Symbolist painting movement by a couple of decades, and was working on these around the time his fellow French writer Baudelaire was cranking out Les Fleurs du mal. In any case they’re surprisingly weird and impressionistic, and seem to employ printmaking techniques that also make me think of early photographic experiments (see for example his Silhouette Fantastique or the wonderfully creepy Lace & Ghosts).

    The painting above seems to be named Calling Card and reminds me of an 1855-era Wayne White typography painting (it looks like the ornate lettering spells out VICTOR OGUH, with “Hugo” reflected backwards?)

    I wish there were better scans of these available!

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  • Genius Childhood Recaptured at Will

    But genius is nothing more nor less than childhood recaptured at will.

    Charles Baudelaire, from The Painter of Modern Life. I often see this quoted by itself, so here’s some context:

    But genius is no more than childhood recaptured at will, childhood equipped now with man’s physical means to express itself, and with the analytical mind that enables it to bring order into the sum of experience, involuntarily amassed. To this deep and joyful curiosity must be attributed that stare, animal-like in its ecstasy, which all children have when confronted with something new, whatever it may be, face or landscape, light, gilding, colours, watered silk, enchantment of beauty, enhanced by the arts of dress. A friend of mine was telling me one day how, as a small boy, he used to be present when his father was dressing, and how he had always been filled with astonishment, mixed with delight, as he looked at the arm muscle, the colour tones of the skin tinged with rose and yellow, and the bluish network of the veins. The picture of the external world was already beginning to fill him with respect, and to take possession of his brain. Already the shape of things obsessed and possessed him. A precocious fate was showing the tip of its nose. His damnation was settled.

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