Notes about 1800s

January 8, 2022 permalink

Lippmann Photography — First Color Spectrum Photos

In the 1890s the French physicist Gabriel Lippmann devised a new method of taking photographs that led to the first photographic recording of color:

Lippmann’s color photography process involved projecting the optical image as usual onto a photographic plate. The projection was done through a glass plate coated with a transparent emulsion of very fine silver halide grains on the other side. There was also a liquid mercury mirror in contact with the emulsion, so the projected light traveled through the emulsion, hit the mirror, and was reflected back into the emulsion.

The resulting plates are pretty cool looking, as seen in the video — very similar to the discovery of holography decades later — and technically they record a wider spectrum of color than our standard modern imaging techniques. He won the Nobel Prize in 1908 for his research, but the method was largely shelved due to the complexity of the process and the inability to make color prints, which also didn’t appear commercially until much later.

In 2021 researchers at the Ecole Polytechnique Fédérale de Lausanne published a paper on their research into Lippmann’s images, including a new method that lets us see the images closer to the original color captured in the photographic scene.

Side trivia: among Lippmann’s doctoral students at the Sarbonne was Maria Sklodowska, later a winner of multiple Nobel prizes herself, under her better-known married name: Marie Curie!

 

April 3, 2017 permalink

We will see Landscapes

’We will see… landscapes,’ they announced, ‘in which the trees bow to the whims of the wind, the leaves ripple and glitter in the rays of the sun.’ Along with the familiar photographic leitmotif of the leaves, such kindred subjects as undulating waves, moving clouds, and changing facial expressions ranked high in early prophesies. All of them conveyed the longing for an instrument which would capture the slightest incidents of the world about us.

Film theorist Siegfried Kracauer writing about the dreams of photography pioneers Henry Cook and Gaetano Bonnelli, who in the 1860s invented a device called a photobioscope that combined stereoscope + zoetrope effects to show primitive short “3D” “movie” loops. It’s interesting to think about the decades in which photography was new and exploding in use, but it couldn’t capture the essence of normal day-to-day movement due to the long exposure times. 

We’re still chasing those dreams, 150 years later.

(Via this excellent Bright Wall / Dark Room essay on Totoro)

Pagination