In 1985, computer graphics were exotic enough that using them for a TV commercial was the kind of thing you might save for a Super Bowl ad slot, as seen in this short documentary. I would not have guessed that the first significant use of CGI on TV was for an ad illustrating the sexy (?) futuristic appear of _aluminum cans_.
(They fail to mention this in this mini-doc, but the ad studio was clearly lifting the chrome-plated sexy robots imagery of Japanese illustrator Hajime Sorayama)
From the Visual Science blog, Life and Love in the Uncanny Valley:
David Hanson’s robots are by now somewhat familiar faces, including his Einstein robot currently being used as a research tool at Javier Movellan’s Machine Perception Lab at UCSD, and the punk rock conversationalist Joey Chaos. A less familiar face is that of Bina Rothblatt, the blonde at the end of the table in the above photograph. Bina is a robot commissioned by Sirius Satellite Radio inventor Martine Rothblatt to look like her beloved wife.
Hanson Robotics is in a house in the neighborhood where I grew up in Richardson, Texas. They’re doing some interesting work in robot aesthetics and materials, crafting convincing android-type replicants in a studio environment that’s busy around the clock. Flickr user steevithak has a nice photo set up of some of the robots they were tinkering with in 2009.
In 1903, the specialty watch company Helios built a trial run of miniature Boilerplates. The master of the hoax, an expert on Victorian automata, Paul Guinan, “tried” to “rebuild” one of these. The head resembles gas masks that soldiers wore in World War I, but as ornamental brass. The chest is as tubular as a Franklin stove, but gleaming with Baroque detail. Its knobby limbs were fully articulated , like an armature for special effect stop-motion seventy years later, or a thing in The City of Lost Children. […] For over a century, thousands of boilerplates have come down to us. They wait patiently. Patience has always been a virtue of the boilerplate; and of all hoaxes, including the Wizard of Oz himself. Norman M. Klein, in Building the Unexpected. From The Vatican to Vegas, 2004 p179.